Italian Researchers Say Kids Identifying with Harry Potter Display Less Bias Against Minorities and Immigrants After Reading the Books
In celebration of Harry Potter Victory Day, (May 2, when the Order of the Phoenix and Dumbledore’s Army turned the tide against the death eaters in the Battle of Hogwarts), an NPR story and a Psychology Today article cited a recent Italian study linking identification with Harry to a lower likelihood of bias or prejudice against stigmatized groups.
Harry Potter is, of course, the magically powerful teen with a mixed lineage that some of the pure-bloods of his wizarding otherworld disdain. In the course of the series, many of the aristocratic pure-bloods turn out to be the villains while many of the "mudbloods" (a derogatory term for muggle-born witches and wizards) are the good guys. In this is a message for young readers: being born rich and powerful in an admired group does not guarantee that a person is morally better than someone from a non-traditional background. Another insight: dismiss or abuse underdogs at your own peril.
In his Psychology Today article, Christopher Bergland summarized the Italian findings this way:
The Special Role of Speculative Fiction
Speculative fiction has a strong history of opening characters’ (and readers’) minds through encounters with diverse characters and creatures, and has suffered backlashes for it. The most recent example is the upheaval at this year's Hugo Award nominations. In scifi, a protagonist may suddenly face invaders with divergent worldviews or opposing galactic priorities (like the Vogons in The Hitchhiker’s Guide to the Galaxy, who disregard the sentients on Earth to destroy it because they need to build an interplanetary highway through it. Don't panic.)
Speculative fiction which takes this question seriously can force readers to examine their own biases. SF/F can examine discrimination by placing it in a less controversial fictional setting of an otherworld. Writers can create conflicts and illuminate discrimination between groups paralleling our own without risk of offending actual intolerant groups.
Another example is Ursula K Le Guin’s classic The Left Hand of Darkness, which sends Genly Ai to planet Winter where the androgynous people kemmer monthly into one or the other sex as needed to reproduce inside their relationships. Genly can’t read the signals of one of the world’s leaders, Estraven, because s/he seems “effeminate,” and Genly can't help but mistrust Estraven because of it. Later the two must grow to trust and sacrifice for each other to survive a difficult journey out of a nightmarish arctic work camp.
Le Guin’s book, published in the 1960s, questioned readers' assumption that leaders are male and that this is good. She implies that worlds with no such duality would suffer fewer misunderstandings or wars, despite that Genly comes from a people who can “mindspeak” with each other, and he misses that open communication deeply. More generally, the book asks us to think about what it is that we love in others. Don’t we all hope that it’s something deeper than appearance, parts and adherence to gender-determined roles?
Does Reading in General Build Empathy?
In the Psychology Today article, Bergland goes on to explain why reading the Harry Potter books is mind-expanding:
Other recent research shows that readers’ brains experience story events as if they were actually happening to themselves. (This does not happen when viewing TV, BTW.) Readers literally put themselves in the place of the protagonist and experience their frustrations, achievements and setbacks along with them. Careful readers of thoughtful stories learn hard lessons alongside the hero or antihero.
So What is a Writer’s Responsibility?
Writers may complain that readers “missed the point,” but does the research now prove that, biologically speaking, that may not be possible? If readers really “live” each novel through the lens of their own past experiences and learn from it as if it were a part of their own lives, is it legitimate to tell readers what they should learn from their own experiences?
Maybe not, but as Unbound Writers of speculative fiction we can give readers, and especially kids, insights into the difficulties that minorities face and overcome in their everyday lives. Further, we can hope that through our fair presentations, readers will exit the wormhole of a novel with more empathy toward minorities and stigmatized groups, not less.
Read Similar Stories
Melissa Albert’s debut novel cuts to the bone of European fairy tales to find the essence of nightmares: horrors that are both seductive and disturbing.
We love Binti! We’re celebrating the re-release of Okorafor’s Hugo and Nebula award-winning trilogy in beautiful hardcover editions with an appreciation of the difficulties involved in coming of age, intergalactic exploration, and saving the world, all at the same time.
An interview with Tiffany Quay Tyson.
The Unbound Writers go trick-or-treating down Memory Lane for Halloween horror recommendations.
This Friday the 13th the Fiction Unbounders discuss their favorite Scary Stories to Tell in the Dark and how these tales became the source material for favorite childhood nightmares.
If you have a craving for lush, high-fantasy there is no one better than Patricia A. McKillip
In Miller's poignant debut novel the power to control and the power to discover truth are superhuman abilities in a world where everything is in doubt.
The Unbound Writers appreciate Hugo Award nominee short stories.
This week we take a peek at the year’s best novellas. The Unbound Writers threw the titles of the Hugo Award nominations for Best Novella into a hat and passed it around. We found they're all worth a read.
No one is reading more dark fiction than Ellen Datlow. Her knowledge of the horror genre is deeper than mine or yours.
Helen Oyeyemi proving once again that she is a magical fairy tale spinner with her short story collection, What is Not Yours is Not Yours.